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; Directed by=Leigh Whannell; 2 h 4 m; USA, Australia; Cast=Oliver Jackson-Cohen; 2020
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This movie is no exception to the modern trend where political agendas are shoved down our throats, a trend that has become the norm these days. All white male characters are bad, women and black people are depicted as moral, brave and victimized (the only neutral white male in this movie is the only briefly introduced uber driver. Under these constraints, non of the characters has enough depth that makes them relateable, or at least allows you to understand the logic behind actions they take and their interactions throughout the movie. The dialog are non-realistic, not interesting, and lack any sophistication. Also the movie lacks any sense of humor, there is nothing here except some shallow sarcastic comments you would expect from a rebellion teen-age girl.
The whole movie is written around a white male villain (almost a super-villain) Adrian, that tries to control and manipulate the poor woman protagonist, Cecilia, using his superior intellect. We only know anything about him through the depictions of the protagonist. He is reflected as an abstract representation of toxic masculinity traits such as an egocentric peruse of power and dominance. Although in reality long-term relationships are complex, her depictions of him are so horrific, so one-sided, that you don't really understand why they were together in the first place.
The motives of Adrian is an enigma to the viewer. He is a genius, both in the academic and social sense, he is a young and rich, yet, he is obsessively fixed on this non-interesting, not very attractive woman, that does not want to bear his children (probably serving to negate the cultural notion that women's function is merely to bear children. He needs HER so much, that he would go as far as to fake his own death, murder people, and basically go through this overly complicated plan just so that he could again control her and make her life miserable. It would perhaps help if we could understand what makes this woman worthy of risking everything, but her greatness is only conveyed to us by him.
Reputation by others is a reoccurring theme in this movie, and is a reflection of lazy writing. Instead of building the characters ground-up through their actions, we are told about them: how much the antagonist is bad, the protagonist is good. The protagonist's sister Emily is praised by her, but all we see is an un-witty sarcastic that doe's not believe, nor tries to help sister in any way. This fake artificial empowerment is yet another politically correct era characteristic.
Even beyond the ridicules series of unrealistic over-complicated science-fiction events, the movie is ripe with plot hols: how is it that you could injure yourself with a pen in a mental institute (and be completely fine afterwards) how does Tom know what Cecilia was going to do with the money, how did she managed to get the invisibility suit so quickly before she kills him, etc.
In the end of the movie, a pseudo-sophisticated plot twist is revealed when it turns out Tom, the brother of the evil antagonist is helping him. This, like many other things, does not make any sense, as we could barely even understand the antagonist motive.
The movie manages to scare you, but mostly through cheap jump scares, accompanied by loud annoying sounds. The soundtrack as a whole is nothing too memorable, nor pleasant to the ear, although this is largely expected from a horror film. To be fair, the action sequences are enjoyable and the suite is cool.
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